Saturday, July 31, 2010
Thursday, July 29, 2010
Wednesday, July 28, 2010
Tuesday, July 27, 2010
Friday, July 23, 2010
Thursday, July 22, 2010
(BQM) ENTERTAINMENT PRESENTS:
FRIDAY THE 23RD @ CLUB 915 "FRICTION FRIDAY" (I-5 CONNECTION) LET'S GET IT IN!!
LET'S MAKE THE NW STAND UP!...
THIS FRICTION FRIDAY WE GOT LOCAL TALENT BETWEEN EUGENE AND SEATTLE TO COME OUT AND SHOWCASE THERE TALENT FOR ONE NIGHT IN PORTLAND @ CLUB 915.
IN THE HOUSE
"THE WORLD FAMOUS DJ D. DOXX" FROM SEATTLE AND PORTLAND'S OWN DJ MAFIA ON THE 1'S & 2'S LIVE PREFORMANCE'S BY:
DOUGHBOY, D.EAGLE, BARSTARZ, ROULETTE DELGATO & THE "KING'S OF PARTY" ...PARTYBOINATION..CJ STEEZ....S JAMES AND MORE $200 PRIZE FOR THE FLYEST CHICK
(GET THERE EARLY!!) LADIES & COLLEGE STUDENTS FREE TILL 11:30 $5 AFTER 11:30
$10 FELLA'S GUESTLIST CLOSES AT 11PM SHARP $3 WELL DRINKS & DOMESTIC'S
VIP W/BOTTLE SERVICE 2 DANCE FLOORS/ 3 BAR'S / DRINK SPECIALS ALL NIGHT LONG
RSVP NOW...INBOX FOR VIP BOOKING OR FOR BIRTHDAY PARTY THAT WEEKEND.
(BQM) ENTERTAINMENT..."WE OWN THE NIGHT"
FRIDAY THE 23RD @ CLUB 915 "FRICTION FRIDAY" (I-5 CONNECTION) LET'S GET IT IN!!
LET'S MAKE THE NW STAND UP!...
THIS FRICTION FRIDAY WE GOT LOCAL TALENT BETWEEN EUGENE AND SEATTLE TO COME OUT AND SHOWCASE THERE TALENT FOR ONE NIGHT IN PORTLAND @ CLUB 915.
IN THE HOUSE
"THE WORLD FAMOUS DJ D. DOXX" FROM SEATTLE AND PORTLAND'S OWN DJ MAFIA ON THE 1'S & 2'S LIVE PREFORMANCE'S BY:
DOUGHBOY, D.EAGLE, BARSTARZ, ROULETTE DELGATO & THE "KING'S OF PARTY" ...PARTYBOINATION..CJ STEEZ....S JAMES AND MORE $200 PRIZE FOR THE FLYEST CHICK
(GET THERE EARLY!!) LADIES & COLLEGE STUDENTS FREE TILL 11:30 $5 AFTER 11:30
$10 FELLA'S GUESTLIST CLOSES AT 11PM SHARP $3 WELL DRINKS & DOMESTIC'S
VIP W/BOTTLE SERVICE 2 DANCE FLOORS/ 3 BAR'S / DRINK SPECIALS ALL NIGHT LONG
RSVP NOW...INBOX FOR VIP BOOKING OR FOR BIRTHDAY PARTY THAT WEEKEND.
(BQM) ENTERTAINMENT..."WE OWN THE NIGHT"
Wednesday, July 21, 2010
Tuesday, July 20, 2010
Monday, July 19, 2010
Friday, July 16, 2010
THIS WEEKEND DON'T MISS OUT!!! MARVIN THOMAS MEMORIAL FUND PRESENTS: THE 7TH ANNUAL BATTLE AT THE LAKE (BASKETBALL TOURNAMENT) JULY, 16TH, 17TH, & 18TH (OUTSIDE BASKETBALL COURTS)
$300 PER TEAM/ 8 TEAMS TOURNAMENT!!!
MUSIC BY: THE WORLD FAMOUS DJ-D'DOXX (ALL WEEKEND LONG)
FOR MORE INFO: (206)683-4060 OR (206)778-...5108
MUSIC, FOOD DANCE TEAM, DUNK CONTEST, 3-POINT CONTEST, WOMEN AND KIDS EXHIBITION GAMES, CELEBRITY JUDGES, FASHION SHOW & MORE!!!!
$300 PER TEAM/ 8 TEAMS TOURNAMENT!!!
MUSIC BY: THE WORLD FAMOUS DJ-D'DOXX (ALL WEEKEND LONG)
FOR MORE INFO: (206)683-4060 OR (206)778-...5108
MUSIC, FOOD DANCE TEAM, DUNK CONTEST, 3-POINT CONTEST, WOMEN AND KIDS EXHIBITION GAMES, CELEBRITY JUDGES, FASHION SHOW & MORE!!!!
Wednesday, July 14, 2010
Tuesday, July 13, 2010
THIS WEEKEND!!!! MARVIN THOMAS MEMORIAL FUND PRESENTS: THE 7TH ANNUAL BATTLE AT THE LAKE (BASKETBALL TOURNAMENT) JULY, 16TH, 17TH, & 18TH (OUTSIDE BASKETBALL COURTS)
$300 PER TEAM/ 8 TEAMS TOURNAMENT!!!
MUSIC BY: THE WORLD FAMOUS DJ-D'DOXX (ALL WEEKEND LONG)
FOR MORE INFO: (206)683-4060 OR (206)778-5108
MUSIC, FOOD DANCE TEAM, DUNK CONTEST, 3-POINT CONTEST, WOMEN AND KIDS EXHIBITION GAMES, CELEBRITY JUDGES, FASHION SHOW & MORE!!!!
$300 PER TEAM/ 8 TEAMS TOURNAMENT!!!
MUSIC BY: THE WORLD FAMOUS DJ-D'DOXX (ALL WEEKEND LONG)
FOR MORE INFO: (206)683-4060 OR (206)778-5108
MUSIC, FOOD DANCE TEAM, DUNK CONTEST, 3-POINT CONTEST, WOMEN AND KIDS EXHIBITION GAMES, CELEBRITY JUDGES, FASHION SHOW & MORE!!!!
Monday, July 12, 2010
Saturday, July 10, 2010
TODAY @4:00PM Adonai clothing is proud to announce the 7th annual Adonai Hood Classic
basketball tournament to be held at Garfield high school on July 10th
and 11th 2010. This years tournament will feature the all time great
basketball players from Garfield, Franklin, Rainier Beach, and newly
added Seattle Prep. Roster...s from this tournament will include current
NBA players,NCAA college athletes, street legends, and emerging high
school stars competing for their alma mater. Among the players who are
scheduled to participate are Brandon Roy, Jamal Crawford, Aaron Brooks,
Jason Terry, Terrence Williams, Nate Robinson, Spencer Hawes, Martel
Webster and many others.
Because of the success of the last six
tournaments, the Hood Classic was recently featured in a four page
article in Sports Illustrated. With the departure of the Super Sonics,
the Hood Classic gives Seattle Basketball fans an opportunity to witness
some of the northwests top basketball talent up close and personal...
basketball tournament to be held at Garfield high school on July 10th
and 11th 2010. This years tournament will feature the all time great
basketball players from Garfield, Franklin, Rainier Beach, and newly
added Seattle Prep. Roster...s from this tournament will include current
NBA players,NCAA college athletes, street legends, and emerging high
school stars competing for their alma mater. Among the players who are
scheduled to participate are Brandon Roy, Jamal Crawford, Aaron Brooks,
Jason Terry, Terrence Williams, Nate Robinson, Spencer Hawes, Martel
Webster and many others.
Because of the success of the last six
tournaments, the Hood Classic was recently featured in a four page
article in Sports Illustrated. With the departure of the Super Sonics,
the Hood Classic gives Seattle Basketball fans an opportunity to witness
some of the northwests top basketball talent up close and personal...
Friday, July 9, 2010
Thursday, July 8, 2010
BRING EM BACK HOME
BRING EM BACK HOME
Seattle’s DIY Music Video Directors Prove “You Have To Do It Yourself”
By Treamalle LaBee
Scene from the Blue Scholars' "Back Home"
aPerhaps Seattle’s best-seen music video director right now is Zia Mohajerjasbi, whose video for the local hip hop duo Blue Scholars’ anti-war song “Back Home” was featured on the MySpace home page, is posted on blogs across the Internet, and clocks close to 30,000 views on YouTube.Mohajerjasbi, brother of the Scholars’ Iranian-American DJ Sabzi, has directed 3 videos for the group, as well as videos for Mass Line Records label-mates Common Market and Gabriel Teodros. But despite an impressive Internet profile and the increasing popularity of the Scholars’ music, Mohajerjasbi says he continues to follow a grassroots, DIY (do-it-yourself) ethic.
“I’m trying to show visually what’s really going down in the city and involve the community,” he says. In “Back Home,” images of women and children in a mixed minority community highlight the song’s message to bring soldiers in Iraq back to their families. With Teodros’ “No Label,” he depicts the bearded MC rapping with dancing crowds of neighborhood kids.
a
Gabriel Teodros in "No Label"a
For crew, Mohajerjasbi says he usually goes to local film schools and offers students there a chance to work on the shoot as a mentoring program. And, as with many independent films shot in Seattle, volunteer help pours in for a hometown artist, often in the form of clothing, cars, locations, or extra bodies for crowd scenes.
“It’s more apparent now that [major label videos] are just marketing pieces,” he adds.
Before current technology put the power of production in the hands of everyday people and the Internet revolution gave us a worldwide stage, music videos could have been considered “rock star confirmation.” Only certain people got to make them and even fewer got to make more than one. Videos were not only creative forms of expression for the artists, but also marketing tools used by the major record labels to present their artist to the consuming public as a complete package.
Music videos could not have been as important for the independent artist, since the avenues to show them were limited to small underground alternatives like public access television, while the commercial networks of MTV and BET showed mainly major label artists.
Now, as Michael Jaworski, head of Seattle independent label Mt. Fuji Records puts it, “it’s hard to say at this point who music videos are more important for.” Mt. Fuji hosts indie rock acts such as Jaworski’s own band The Cops.
“The most crucial [videos] are the indie ones,” agrees Fred Northup Jr, a local producer. “People are getting sick of mainstream.”
a
Still from "Back Home"
aNorthup and John Richards of KEXP’s “John in the Morning” are the hosts of a show on the public-access Seattle Channel called “The Local Music Show,” which shows a lineup strictly consisting of local independent music videos.After a flood of indie music videos in the 1980s, Richards says, things slowed down considerably from the mid to late 90s because “nobody had a reason to make a video.” Now that is no longer the case because, he says, “The ability to produce videos has evolved.” He intends the show to provide a platform for a new generation of artists.
But working with independent artists on low-budget videos is not always an easy task.
“The artist wants furniture on the ceiling,” says Henry McComas, filmmaker and head of the Seattle production company Crooked Lake Productions. He says he got into making music videos the same way a lot of local directors do—he knew a musician. He used to shoot videos for the local hip-hop artist DJ D-Doxx, who introduced McComas to his music friends. From there, he says, networking savvy and old-fashioned hustle took care of the rest.
But McComas soon learned one of the main conflicts of developing an indie music video: A-list desires versus B-list funding. “What you have to do is not just say what can’t be done—you have to immediately be able to provide an alternative that they will like,” he says.
For example, the artist he is currently shooting a video for, Money Major and Vintage Tapes, wanted to shoot on the Metro bus because their song “Metro” talks about giving the listener a ride through the city. This of course would mean renting a bus for at least a day. “Not cheap,” he says.
McComas explored the idea of using a handheld camera to steal shots on the bus, but concluded the risk of getting caught and harassed was too high. So he came up with another idea: “Instead of shooting on the bus I told them, let’s get a Cadillac and have you drive around in that. That way you still get to show your city and you get to drive around in a pimped-out caddy.” The artist loved it and it was cheap.
Not all problems get solved so smoothly on an indie music video set. Another local video director, Rick Ross of Level 1 Media out of Tacoma, says that just like any other low budget independent production, planning is crucial. On one recent shoot, he says, he found himself standing around doing a lot of nothing with his time, because the artist had not thought further beyond the location where he wanted to be shot.
“If an artist is capable I let him have more control,” Ross says. “But ultimately the producer or director should be in control.”
a
aaOn the set of "No Label"
Despite recent complications, however, Ross says he is not discouraged or soured on the idea of working in Seattle. “People have been sleeping on Seattle and Tacoma,” he says. “It isn’t saturated because there hasn’t been a lot of exposure.”
Robby Wood, a video director and recording artist for Seattle-based label Noc on Wood Records, says he started directing videos as a way to cut production overhead on records. The money he once spent on hiring a director, he now adds to his distribution budget.
“Guerilla is the way to go,” he says. Wood brings in most of his crew and equipment to Seattle from Los Angeles because he says the net cost is lower.
“Low budgets can affect quality,” he admits. “But the performance is most important.”
Mohajerjasbi, whose videos with emerging stars of the underground scene seem to transcend their low production values, says, “In some ways it’s easier to be more known. But with indie you obviously have more freedom. I’d like to do DIY on a major-label budget.”
Meanwhile, for directors shooting less established artists, Seattle can be a tough place to get started, being an out-of-the-way place on the nation’s media map. Sub Pop Records, Seattle’s most successful record label, rarely hires directors from the city for its videos—the label’s most important video director is actually Portland’s Whitey McConnaughy, a producer of snowboarding movies who has shot stunning videos with a decidedly high-value, non-DIY flavor for local groups like Mudhoney, Band of Horses, and Kinski.
“You have to do it yourself,” says Ross.
aRick Ross a
Henry McComas a
Robby Wood a
A 1 ON 1 WITH THE WORLD FAMOUS DJ-D'DOXX FROM BACK IN THE OLD DAYS!!! THE BEGINNING!!!!
A 1 ON 1 WITH THE WORLD FAMOUS DJ-D'DOXX FROM BACK IN THE OLD DAYS!!! THE BEGINNING!!!!
The World Famous DJ-D'Doxx
How about starting off by telling our readers exactly what it is that you do?
Well, I DJ and I also run a promotions company, Stop Playin' Promotions, and we're out in the street, man. Out there just to break a lot of new product - some new clothing lines, and different record labels, independents, and get them on the street because Seattle can be so slow.
So are you a resident DJ right now?
Yeah, right now I DJ downtown at Larry's in Pioneer Square. I also DJ a lot of major events - I just DJ'ed the Battle at the Lake this past weekend with Shawn Kemp, Jamal Crawford, Nate Robinson, and some other basketball stars.
How would you describe your DJ'ing style?
I'm an all-around DJ. Hip-hop is the first priority, also reggae, old school, neo-soul, and a lot more. I blend everything - I'm a party DJ, but I'm also a rebel, I like to break new music and give the people the scoop because the radio stations can be so slow up here. Basically I like to give the people what they want - they come out to party, and that's what I give 'em, that party atmosphere.
OK - tell me about your regular club night and what a typical set might be like.
Well, the club that I DJ at is Larry's, and we have structured Larry's around no dress code because we don't believe in discriminating against people. The clubs that they still are making people obey the dress codes still have the most fights anyway, so we say you come how you want to. We have White Tee Tuesday, with DJ Vitamin D and I, and then I have Dirty South Sundays with myself and Boy Wonder. As far as what I play, I definitely rock all the new hot jams, but I'll also play some classics, taking them back with Lenny Williams and some old KRS-One and Tribe Called Quest. My origins and roots are from the Dirty South, so that's definitely represented too. I've been lucky enough to DJ all around the world, and I see how they do it on the East Coast, the West Coast, the Midwest, you know, all over, and I can incorporate all of those styles and basically play to any type of crowd. That's what makes a well-rounded DJ, to know that when you're doing a certain type of party to break out some Pat Benatar or some Culture Club, just knowing how to read the crowd.
Definitely - I see a lot of DJ's these days that have the technical stuff down, but aren't necessarily great at playing the crowd. That seems like something that comes from experience.
Yep, I've been doing it for 12 years. I've DJ'ed for Grandmaster Caz, Just-Ice, and MC Lyte, some of the forefathers of hip-hop. I've DJ'ed for Steve Harvey's after party, I've DJ'ed on the 50-yard line for a John Madden 2003 tournament, I've even DJ'ed for Howard Schultz, the CEO of Starbucks son's bar mitzvah, so I've done it all - I can rock any audience, man.
So tell me a little bit more about your promotion company.
Sure, it's called Stop Playin' Promotions, and right now I do a number of promotions for Royal Blunts, Headgear Sportswear, Ali Wissam out of Detroit, Sedgwick and Cedar clothing, and also for record labels such as Rap-A-Lot, Universal, Interscope and a number of independent record labels that send me their stuff in order to get it out in the street. My job is first of all to be a DJ, but also to get the music in the street and make sure that different clothing lines are represented out here, you know, to put them up on the game.
Right - fashion has always been a big part of hip-hop. How do you think that factors in to your DJ career?
It definitely factors in, because when the DJ is in the limelight, and he's spinning or walking through the crowd, or even when he's just out and about, people notice what you got on. People always ask me about the clothes I have on because I'm always trying to wear something new. Therefore I'm always trying to wear something from a company that's trying to make a name for itself, or just anything that's positive, really. That's why I like doing the promotions for Ali Wissam, Headgear, and Sedgwick and Cedar because it speaks about a lot of struggles. With Headgear, for example, they just recently brought out the Negro League clothing line, Ali Wissam has a line that talks about a right to expression and free speech, and Sedgwick and Cedar is based around the founders of hip-hop and where hip-hop started. This weekend I was able to provide Shawn Kemp and Nate Robinson, who just got signed to go to the Knicks, Jamal Crawford with some shirts and hats from these clothing lines, as well as some of the WBNA players from the Seattle Storm. I was able to get them this stuff because I did a mansion party for some of the players. Now these players are out there representing this stuff as well, and it feels good to be able to hold it down like that, and show people out there that it's more than just the bling-bling shit that you see on TV. You know, this is where it started; this is where it came from. Not to mention I now have a street team of about 15 ladies and 12 guys, and I can teach them as well.
So what was your inspiration to do all this?
You know, I started out from the bottom, in my apartment, working everything out slowly but surely. Through my family's mom-and-pop record store, ARS (Another Record Store), which is the number one mom-and-pop record store on the West Coast, I was able to just get out there and teach the kids and get them hitting those books and let them know that if you want to do what I do, there's an easier way to do that. Show them better than a lot of elders that they see that show them that it's cool to be standing on the corners and selling drugs and everything. I like to show them a lot better than that, and they see me, and I have something to teach them. Each one, teach one, that's what hip-hop has always been about, and that's what I always lived by. That's really what it's about for me, the opportunity to teach, and that feels real good.
Right - so there's a lot deeper meaning to this for you than just rocking a party - it's about a whole community, and exposing them to new stuff that you think will have a positive effect.
Definitely. On my club nights on Sundays and Tuesdays, I like when I get the chance to go out there and thank people for coming out and let them know that I appreciate the chance to show you some stuff, make you have a good time and make you feel good. That's what I've always tried to model myself on - if I was in the crowd, how would I want to feel? That positive vibe is what I'm trying to give to them.
The World Famous DJ-D'Doxx
Originally out of Columbia, South Carolina, DJ D-Doxx has been spinning professionally since his relocation to the West Coast in 1993. A hip-hop historian, Doxx prides himself on his ability to connect with his crowd, and as such has been able to showcase his skills in a wide variety of environments. While a traditional party DJ at heart, he functions as a jack-of-all-trades these days, as he is instrumental in breaking both new music and new fashions to his ever-growing network of partygoers. I got a chance to speak with Doxx about his promotional abilities as well as his widespread DJ'ing talents.
How about starting off by telling our readers exactly what it is that you do?
Well, I DJ and I also run a promotions company, Stop Playin' Promotions, and we're out in the street, man. Out there just to break a lot of new product - some new clothing lines, and different record labels, independents, and get them on the street because Seattle can be so slow.
So are you a resident DJ right now?
Yeah, right now I DJ downtown at Larry's in Pioneer Square. I also DJ a lot of major events - I just DJ'ed the Battle at the Lake this past weekend with Shawn Kemp, Jamal Crawford, Nate Robinson, and some other basketball stars.
How would you describe your DJ'ing style?
I'm an all-around DJ. Hip-hop is the first priority, also reggae, old school, neo-soul, and a lot more. I blend everything - I'm a party DJ, but I'm also a rebel, I like to break new music and give the people the scoop because the radio stations can be so slow up here. Basically I like to give the people what they want - they come out to party, and that's what I give 'em, that party atmosphere.
OK - tell me about your regular club night and what a typical set might be like.
Well, the club that I DJ at is Larry's, and we have structured Larry's around no dress code because we don't believe in discriminating against people. The clubs that they still are making people obey the dress codes still have the most fights anyway, so we say you come how you want to. We have White Tee Tuesday, with DJ Vitamin D and I, and then I have Dirty South Sundays with myself and Boy Wonder. As far as what I play, I definitely rock all the new hot jams, but I'll also play some classics, taking them back with Lenny Williams and some old KRS-One and Tribe Called Quest. My origins and roots are from the Dirty South, so that's definitely represented too. I've been lucky enough to DJ all around the world, and I see how they do it on the East Coast, the West Coast, the Midwest, you know, all over, and I can incorporate all of those styles and basically play to any type of crowd. That's what makes a well-rounded DJ, to know that when you're doing a certain type of party to break out some Pat Benatar or some Culture Club, just knowing how to read the crowd.
Definitely - I see a lot of DJ's these days that have the technical stuff down, but aren't necessarily great at playing the crowd. That seems like something that comes from experience.
Yep, I've been doing it for 12 years. I've DJ'ed for Grandmaster Caz, Just-Ice, and MC Lyte, some of the forefathers of hip-hop. I've DJ'ed for Steve Harvey's after party, I've DJ'ed on the 50-yard line for a John Madden 2003 tournament, I've even DJ'ed for Howard Schultz, the CEO of Starbucks son's bar mitzvah, so I've done it all - I can rock any audience, man.
So tell me a little bit more about your promotion company.
Sure, it's called Stop Playin' Promotions, and right now I do a number of promotions for Royal Blunts, Headgear Sportswear, Ali Wissam out of Detroit, Sedgwick and Cedar clothing, and also for record labels such as Rap-A-Lot, Universal, Interscope and a number of independent record labels that send me their stuff in order to get it out in the street. My job is first of all to be a DJ, but also to get the music in the street and make sure that different clothing lines are represented out here, you know, to put them up on the game.
Right - fashion has always been a big part of hip-hop. How do you think that factors in to your DJ career?
It definitely factors in, because when the DJ is in the limelight, and he's spinning or walking through the crowd, or even when he's just out and about, people notice what you got on. People always ask me about the clothes I have on because I'm always trying to wear something new. Therefore I'm always trying to wear something from a company that's trying to make a name for itself, or just anything that's positive, really. That's why I like doing the promotions for Ali Wissam, Headgear, and Sedgwick and Cedar because it speaks about a lot of struggles. With Headgear, for example, they just recently brought out the Negro League clothing line, Ali Wissam has a line that talks about a right to expression and free speech, and Sedgwick and Cedar is based around the founders of hip-hop and where hip-hop started. This weekend I was able to provide Shawn Kemp and Nate Robinson, who just got signed to go to the Knicks, Jamal Crawford with some shirts and hats from these clothing lines, as well as some of the WBNA players from the Seattle Storm. I was able to get them this stuff because I did a mansion party for some of the players. Now these players are out there representing this stuff as well, and it feels good to be able to hold it down like that, and show people out there that it's more than just the bling-bling shit that you see on TV. You know, this is where it started; this is where it came from. Not to mention I now have a street team of about 15 ladies and 12 guys, and I can teach them as well.
So what was your inspiration to do all this?
You know, I started out from the bottom, in my apartment, working everything out slowly but surely. Through my family's mom-and-pop record store, ARS (Another Record Store), which is the number one mom-and-pop record store on the West Coast, I was able to just get out there and teach the kids and get them hitting those books and let them know that if you want to do what I do, there's an easier way to do that. Show them better than a lot of elders that they see that show them that it's cool to be standing on the corners and selling drugs and everything. I like to show them a lot better than that, and they see me, and I have something to teach them. Each one, teach one, that's what hip-hop has always been about, and that's what I always lived by. That's really what it's about for me, the opportunity to teach, and that feels real good.
Right - so there's a lot deeper meaning to this for you than just rocking a party - it's about a whole community, and exposing them to new stuff that you think will have a positive effect.
Definitely. On my club nights on Sundays and Tuesdays, I like when I get the chance to go out there and thank people for coming out and let them know that I appreciate the chance to show you some stuff, make you have a good time and make you feel good. That's what I've always tried to model myself on - if I was in the crowd, how would I want to feel? That positive vibe is what I'm trying to give to them.
Wednesday, July 7, 2010
**VIBRANT PUBLIC SERVICE ANNOUNCEMENT** SEATTLE!!! TACOMA!! KENT!! PLEASE!!! PLEASE!!! PLEASE!!! IF YOU COME TO HDS TONIGHT!! DONT COME STRAIGHT FROM ALKI OR FROM PLAYIN HOOP!!! GO HOME TAKE A DAMN SHOWER!! WASH UP!! LADIES CHANGE UR PANTIES!! FELLAS WASH THEM PITS!!! I DONT NEED IT SMELLING LIKE PIKE PLACE MARKET TONIGHT!!! THANKS NOW BACK TO UR REGULAR SCHEDULED PROGRAM!
TONIGHT!!! SWAGGER WED @ HD HOTSPURS WITH DJ D DOXX
The only night where real party people can be themsleves and be on the dance floor all night! Last week was poppin!! If you missed it, then you can make it up by coming out tomorow!!! EVERYONE FREE B4 1030 (ladies and fellas) New Dress Code - COLLAR, POLO SHIRTS OR FITTED V NECKS!!
If you have a ...birthday, hit us up ASAP and we will take care of you!!
The only night where real party people can be themsleves and be on the dance floor all night! Last week was poppin!! If you missed it, then you can make it up by coming out tomorow!!! EVERYONE FREE B4 1030 (ladies and fellas) New Dress Code - COLLAR, POLO SHIRTS OR FITTED V NECKS!!
If you have a ...birthday, hit us up ASAP and we will take care of you!!
Tuesday, July 6, 2010
SWAGGER WED @ HD HOTSPURS WITH DJ D DOXX
The only night where real party people can be themsleves and be on the dance floor all night! Last week was poppin!! If you missed it, then you can make it up by coming out tomorow!!! EVERYONE FREE B4 1030 (ladies and fellas) New Dress Code - COLLAR, POLO SHIRTS OR FITTED V NECKS!!
If you have a birthday, hit us up ASAP and we will take care of you!!
The only night where real party people can be themsleves and be on the dance floor all night! Last week was poppin!! If you missed it, then you can make it up by coming out tomorow!!! EVERYONE FREE B4 1030 (ladies and fellas) New Dress Code - COLLAR, POLO SHIRTS OR FITTED V NECKS!!
If you have a birthday, hit us up ASAP and we will take care of you!!
IF
YOU MISSED LAST SWAGGER WEDNESDAY @HD'S you definetly dont want to miss
Tomorrow Night, cuz the weather is nice and summers got Everyone ready
to get it in w/DJ D-DOXX mixxin dat new poppin sexy fly ish, SWAGGER
WEDNESDAY @HD'S IS ALWAYS PACKED TO THE MAX SO YOU BETTER ARRIVE
EARLY!!! (FREE COVER TIL 10:30PM)
YOU MISSED LAST SWAGGER WEDNESDAY @HD'S you definetly dont want to miss
Tomorrow Night, cuz the weather is nice and summers got Everyone ready
to get it in w/DJ D-DOXX mixxin dat new poppin sexy fly ish, SWAGGER
WEDNESDAY @HD'S IS ALWAYS PACKED TO THE MAX SO YOU BETTER ARRIVE
EARLY!!! (FREE COVER TIL 10:30PM)
Sunday, July 4, 2010
Saturday, July 3, 2010
Friday, July 2, 2010
ITS GETTIN CLOSER AND CLOSER TO JUMP IN UR PJS.. BUT DONT GO TO BED COME DOWN TO KOLEBAH AND MAYBE B LAYIN NEXT TO 200 DOLLARS IF UR PJS R THE BEST..LOL ITS GOING DOWN CKASH, CEDDY FRESH, THE TWINS RONALD AND RONNEL ALONG WIT THE WORLD FAMOUS DJ-D'DOXX BEHIND THE MUSIC...YES THE BUZZ IS ALREADY OUT DNT B TO SHY TO CHECK THIS PARTY OUT!
Tonight imma be at the
only club in Seattle 21+ where you can come as comfertable as you want n
see the most mature young n sexxxiest crowd.Period!!! Come get ya drink
on wit the best drink specials while DJ-D'Doxx is on the tables gettin
it all the way live. In your Pajamas tho.So see YALL AT THE 206 Sexxx
...room party 2night at kolbeh...on 1st &walker...lets go
only club in Seattle 21+ where you can come as comfertable as you want n
see the most mature young n sexxxiest crowd.Period!!! Come get ya drink
on wit the best drink specials while DJ-D'Doxx is on the tables gettin
it all the way live. In your Pajamas tho.So see YALL AT THE 206 Sexxx
...room party 2night at kolbeh...on 1st &walker...lets go
Tonight imma be at the only club in Seattle 21+ where you can come as comfertable as you want n see the most mature young n sexxxiest crowd.Period!!! Come get ya drink on wit the best drink specials while DJ-D'Doxx is on the tables gettin it all the way live. In your Pajamas tho.So see YALL AT THE 206 Sexxx room party 2night at kolbeh...on 1st &walker...lets go
Thursday, July 1, 2010
Adonai clothing is proud to announce the 7th annual Adonai Hood Classic basketball tournament to be held at Garfield high school on July 10th and 11th 2010. This years tournament will feature the all time great basketball players from Garfield, Franklin, Rainier Beach, and newly added Seattle Prep. Rosters from this tournament will include current NBA players,NCAA college athletes, street legends, and emerging high school stars competing for their alma mater. Among the players who are scheduled to participate are Brandon Roy, Jamal Crawford, Aaron Brooks, Jason Terry, Terrence Williams, Nate Robinson, Spencer Hawes, Martel Webster and many others.
Because of the success of the last six tournaments, the Hood Classic was recently featured in a four page article in Sports Illustrated. With the departure of the Super Sonics, the Hood Classic gives Seattle Basketball fans an opportunity to witness some of the northwests top basketball talent up close and personal. So whether it's to get autographs for the kids, or because you love rivalries, come out and enjoy the 7th Annual Adonai Hood Classic!
Music By: The World Famous DJ-D'Doxx (All Weekend Long)
Because of the success of the last six tournaments, the Hood Classic was recently featured in a four page article in Sports Illustrated. With the departure of the Super Sonics, the Hood Classic gives Seattle Basketball fans an opportunity to witness some of the northwests top basketball talent up close and personal. So whether it's to get autographs for the kids, or because you love rivalries, come out and enjoy the 7th Annual Adonai Hood Classic!
Music By: The World Famous DJ-D'Doxx (All Weekend Long)
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